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The studio

A wheel, a kiln and all the time it takes. At Giv’at Brenner, Ingrid Debard shapes every piece by hand, from raw clay to the final firing.

The film

Ingrid Debard, on film.

01
Her path

From France
to Giv’at Brenner.

Born in France, Ingrid studied art before moving to Israel at 22. There she discovered the wheel, then trained in ceramic design at the Jerusalem Academy of Arts. She has never left clay since.

The beginning

Art studies in France, first sketchbooks of forms.

At 22

Moves to Israel and discovers the wheel.

Training

Ceramic design at the Jerusalem Academy of Arts.

Since 2016

Online shop and worldwide shipping: more than 6,500 pieces.

Today

Creating and teaching at the Giv’at Brenner studio.

Ingrid Debard rit, les mains pleines de terre posées sur le visage
The spirit of the place

“A wheel, a kiln,
and all the time it takes.”

02
The place

A studio in the heart
of the kibbutz.

A large bright room, shelves of unfired pieces waiting their turn, the wheel in the middle and the kiln at the back. Everything happens here, and this is also where classes are held.

Étagères de l’atelier garnies de vaisselle bleue et blanche
Pièces crues en train de sécher, vues de dessus

Unfired pieces dry slowly before the first firing.

Bol en strates de grès brut

A layered bowl: the strata of clay remain visible.

Table couverte de bols émaillés de toutes les couleurs

Out of the kiln, the surprises of the glaze.

03
Craft

Four steps,
no shortcuts.

01

Preparing the clay

The clay is wedged by hand to remove air and find the right softness.

02

Throwing

Each piece is thrown or hand-built one at a time, then trimmed once it has firmed up.

03

Glazing

Glazes are applied by hand: no two pieces are exactly alike.

04

Firing

Two small-batch firings, for sturdy pieces made to be used.

Ingrid Debard monte un grand vase au tour
Motte de terre sur le tour
Ingrid Debard tourne un grand bol
Outils de potier signés Ingrid
Four chargé de pièces, vu de dessus
04
Classes and workshops

Learn in the studio.

Ingrid passes on what she has learned, in small groups, from the first gesture on the wheel to glazing. No experience needed.

Introduction

A first session at the wheel

Three hours to centre the clay, raise a bowl and understand the gesture.

3 hours

4 people maximum

Dates and price on request

Workshop

Two days to throw and glaze

A full weekend, from throwing to glazing your pieces, then fired in the studio.

2 days

6 people maximum

Dates and price on request

Weekly classes

A weekly session

To progress over a term, at your own pace, with Ingrid’s guidance.

One term

Small groups

Dates and price on request

Studio letter

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